Transitivity, verbal humour and the construction of identity in Trevor Noah’s narratives
Authors: Nouran Tarek Soliman, Rabia Abdul-Salim Madhi
Publisher: Insights into Language, Culture and Communication (ILCC), Academy Publishing Center (APC), Arab Academy for Science, Technology and Maritime Transport (AASTMT)
DOI: 10.21622/ILCC.2024.04.2.1058
An eclectic discourse analysis of Trevor Noah’s Son of Patricia stand-up comedy and Born a Crime memoir, examining how racial identity, social commentary, and humor are constructed through language. Combines the Hallidayan Transitivity model with the General Theory of Verbal Humor (GTVH) across qualitative and quantitative data.
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